In a musical landscape saturated with nostalgic throwbacks, Emily Kinski's Dead emerges as a beacon of originality with their latest EP, 'Dancing On The Battlefield'. Released today, this four-track offering is a masterclass in fusing 80s post-punk and new wave with contemporary electronics, creating a sound that is both thrillingly familiar and refreshingly modern.
Formed in 2021, Emily Kinski's Dead is the brainchild of Oliver Spring, René Ebner, and Thomas Kowa, seasoned musicians who honed their craft in bands like No Comment, Sleepwalk, and Nine Seconds. Their collective love for the post-punk and gothic sounds of the 80s is evident throughout the EP, but it's their ability to reimagine these influences with a modern twist that sets them apart.
The EP kicks off with the title track, 'Dancing On The Battlefield'. Imagine stepping into London's iconic goth disco, Limelight, circa 1985. The track's infectious riffs, driving rhythms, and shimmering 80s synthwave sounds transport you back to that era, while simultaneously pushing the genre forward. Next up is 'Why Can't You Love Me', a track steeped in gothic rock influences. The song's relentless rhythm and dynamic structure provide the perfect backdrop for its poignant lyrics and impassioned vocal delivery. It's a rollercoaster of emotions, shifting from moments of intimate vulnerability to explosive energy.
'Cold Comfort' showcases the band's versatility and artistic maturity. With its luminous arrangement and sophisticated intro, the song demonstrates the band’s ability to blend diverse influences into a cohesive whole. The EP concludes with the single version of 'Dancing On The Battlefield', bringing the journey full circle. It's a fitting end to a release that is both a love letter to the band's influences and a bold statement of intent.
As a precursor to their upcoming full-length album 'Black Light District', 'Dancing On The Battlefield' is a tantalising glimpse into what's to come. Emily Kinski's Dead has proven that they are not just reviving the sounds of the 80s but are also contributing something vital and new to the genre. This EP is a must-listen for fans of post-punk, goth, and anyone who appreciates music that is both nostalgic and innovative.
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