London's innovative musician, Jeshi, known for his thought-provoking concept albums, returns with a sonic explosion in his latest single 'DISCONNECT!' The track, a collaborative effort with Fredwave, Louis Culture, and J. Caesar, is an electrifying banger that encapsulates the raw energy and anticipation surrounding his new musical era.
Jeshi's signature haunting instrumentals intertwine with an irresistible driving chorus, creating an immediate sonic hook that's hard to shake. Each release from the artist seems to raise his own bar, and 'DISCONNECT!' is no exception. The accompanying visual, filmed over a week across diverse locations from bowls clubs to butcher shops, amplifies the track's energy, with each scene adding another layer to the feeling of disconnection.
"‘DISCONNECT!’ is one of my favourite things I’ve ever made," Jeshi explains. "It’s got this completely unhinged energy which to this day I don’t know how we managed to capture." The studio sessions, a whirlwind of creative chaos, ultimately birthed a track that resonates with an almost primal intensity.
'DISCONNECT!' follows on the heels of 'Total 90,' which marked Jeshi's first release since his introspective EP, The Great Stink. This latest single, however, diverges from the introspective themes of his previous work, embracing a more unbridled and energetic vibe.
Jeshi's authenticity and self-awareness have earned him a loyal following among both fans and critics. His music delves into personal experiences and observations without wallowing in negativity, striking a unique balance between reflection and optimism. This refreshing approach was recently recognized when 'Total 90' was played during the England vs Netherlands Euros semi-final, exposing his music to a massive audience.
Fans in Australia can catch Jeshi live for the first time as he embarks on a tour across the country in early October. He'll be appearing at Mode Festival 2024 in Melbourne and Sydney, with additional shows in Perth and Adelaide, as well as performances at SXSW Sydney 2024.
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