The world of music is a vast ocean, and every now and then, a new voice emerges from its depths, captivating listeners with its unique allure. Today, that voice is Josh Hannan, a 21-year-old singer-songwriter from Melbourne who has delivered his first official single, 'Aftermath'.
A new singing with Sony Music Australia, Josh possesses a voice that stops you in your tracks. It's a classic, pure instrument capable of conveying both the raw emotion of heartbreak and the exhilarating highs of love. It's a voice that caught the attention of acclaimed producer Jon Hume (Sofi Tukker) through a simple Instagram video, leading to a collaboration and Hannan's commitment to his musical journey.
'Aftermath', co-written with Robby De Sa, is a brooding piano-driven earworm that delves into the complexities of long-term relationships. The song explores the temptations and challenges that arise from attention directed at oneself or one's partner. Hannan's golden voice soars over the melancholic piano chords, weaving a tale of emotional turmoil and introspection. The track's subtle yet impactful production allows Hannan's vocals to take centre stage, highlighting the depth and maturity of his songwriting.
Although 'Aftermath' explores some weighty themes, there's an underlying sense of hope and resilience. Hannan's voice, at times vulnerable and at others resolute, guides us through the storm, offering a beacon of light amidst the darkness. The track's infectious melody and Hannan's captivating delivery ensure that 'Aftermath' stays with you long after the final notes fade away.
Josh may be a newcomer, but his debut single showcases an artist with a profound understanding of human emotion and a voice capable of expressing it in its rawest form. 'Aftermath' is a testament to Hannan's talent and a promising glimpse into the bright future that awaits this extraordinary singer-songwriter. So, sit back, close your eyes, and let Josh Hannan's golden voice transport you to a world of love, loss, and the beautiful aftermath that follows.
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