After having recently appeared on our radar with the release of ‘Though The Poppies Grow’, Margarita Mantis is back with her deeply immersive debut album, ‘Jejune’. A sonic journey that walks the fine line between an album and a full-bodied experience, it dives deep into the depths of societal disillusionment and the struggle for self-acceptance. 'Jejune' is an expansive 15-track opus, it’s an engaging blend of melodic rock, punk, and binaural sound mixing, inviting listeners to confront uncomfortable truths about our world and ourselves.
From the outset, ‘Jejune’ starts to draw you in with ‘Horde (Intro)’ and ‘Us to Nowhere’, dissonant tones and slow, lingering melodies. There is an instant weight to the album, something that Margarita has carefully curated in her songwriting and binaural rock style. One of the album's standout moments takes form soon after in ‘I Could Love You’, a symphonic rock anthem that warns against the dangers of conformity and blind obedience. Throughout the song, Margarita’s vocals and the song's soaring instrumentation create a sense of urgency, reminding us that our hive mindset can be weaponised by those in power.
Elsewhere, ‘I Don’t Dream’ takes shape, exploring our world’s superficial nature through fierce contrasting elements. The lyrics illustrate a narrator who struggles to combat these harsh truths as they grow more aware of them, while the unique, unfolding instrumentals deliver an ironically refreshing and optimistic edge. This theme of societal dissatisfaction permeates the album, with tracks like ‘Feeling Blue’ and the title track further exploring the superficiality of modern life and the challenges of forming genuine connections.
While the opening tracks hold a heavy emotional weight, the album is not without its moments of respite. Tracks like ‘Bridge of Life’ offer a glimmer of hope, showcasing Mantis' versatility as a songwriter and her ability to create soundscapes that are both beautiful and thought-provoking. The album's instrumentation is equally impressive, with binaural panning creating an immersive experience that draws listeners into Margarita’s world.
Part way through the album, we’re greeted with the familiar tones of ‘Though The Poppies Grow’, and its companion, ‘In Flanders Fields (Prelude)’, which sees Talen Winchester reciting the classic poem. It’s a harrowing, but beautiful few minutes, as John McCrae’s timeless words are brought to life as a powerful indictment of the futility and brutality of war.
Even in the final moments of the album, Margarita manages to establish a sense of unease with the title track. Her haunting vocals and heart-wrenching guitar riffs paint a vivid picture of the emptiness that can consume us when we fail to live authentically. At its core, it’s the binaural rock style that really makes the album work, creating a 3D sound that immerses the listener in a unique and captivating experience. Through this, all the small flaws can be forgiven, with the power and magic of every track realised in perfect form.
While ‘Jejune’ may not be for everyone, its unflinching honesty and willingness to tackle difficult subjects are commendable. Margarita’s latest collection is a bold and unforgiving statement from an artist who is not afraid to challenge the status quo. As she puts it, "The album delves into uncomfortable topics, discussing problems within our society that then heavily impact our individual, inner state."
‘Jejune’ is a bold and ambitious debut album that showcases Margarita Mantis' unique sound and lyrical depth. Her willingness to tackle difficult subjects and her innovative use of binaural sound mixing make this album a must-listen for fans of rock music and anyone who appreciates thought-provoking lyrics.
Connect with Margarita Mantis,
